Interieur van de Mezquita in Córdoba 1862 - 1876

Jean Andrieu captured the interior of the Mezquita in Córdoba with a stereoscopic card format. At first glance, you will notice the repetition of vertical columns and the arches, which create an illusion of endless space. The use of stereoscopy enhances depth perception. Andrieu isn't merely documenting a space but manipulating our understanding of it through this technology. The arches aren't just structural; they're compositional elements that dictate the rhythm of the image. The interplay between light and shadow accentuates the architectural forms, transforming the space into a visual maze. The photograph destabilizes established meanings of architectural photography by using stereoscopy to invite the viewer into a constructed reality. Consider how this structured composition invites ongoing interpretation.