The Architect, Jesus T. Acevedo 

Diego Rivera's painting, 'The Architect, Jesus T. Acevedo,' presents us with a striking cubist composition. Angular shapes and fractured planes coalesce to form a fragmented yet cohesive portrait. The artist uses a subdued palette of ochre, red, and blue, creating a sense of depth through contrasting light and shadow. Rivera's engagement with cubism during his time in Paris is evident in the way he destabilizes traditional representation. Instead of offering a singular viewpoint, Rivera presents multiple perspectives simultaneously. This approach aligns with cubist principles of challenging fixed perspectives, as we see forms broken down and reassembled on the canvas. The painting's composition is less about literal representation and more about exploring the interplay of shapes, lines, and color, which allows us to consider how Rivera uses formalism to engage with poststructuralist ideas. Here, meaning is not inherent but rather constructed through the interaction of the elements, reflecting a broader cultural discourse on the nature of perception and representation.