The Black Flight by Asger Jorn

The Black Flight 1955

0:00
0:00

drawing, paper, ink

# 

abstract-expressionism

# 

drawing

# 

cobra

# 

charcoal drawing

# 

paper

# 

ink

# 

abstraction

# 

watercolour illustration

# 

monochrome

Copyright: Asger Jorn,Fair Use

Curator: Here we have Asger Jorn’s striking monochrome drawing, "The Black Flight," created in 1955. Editor: The frenetic energy immediately strikes me. It's like a visual record of speed and disorientation. The stark contrasts and calligraphic gestures evoke a sense of urgency and chaos. Curator: Indeed. Let’s consider the application of the ink and charcoal on paper. Jorn masterfully exploits the fluidity and density of his chosen media to generate this feeling of spontaneous movement. Semiotically, we can examine how the contrast between solid blacks and blurred greys structures the composition. Editor: I'm particularly drawn to the process, and its evident speed and apparent recklessness. This work really foregrounds the artist’s labor; each flick and splatter carries an expressive weight, as well as hinting at the ready availability and disposability of the materials. Think of the post-war context; perhaps these materials signaled something democratic to the artist. Curator: Fascinating observation. We could delve deeper into the internal structure; the sweeping diagonals against the more staccato marks creates a push and pull, lending complexity to the composition beyond pure chaos. The interplay mirrors tensions between spontaneity and control. Editor: Do you think that this tension you see is indicative of a larger post-war, and possibly leftist, feeling in Europe at the time, and possibly visible in how quickly and efficiently this piece came into being? Considering, of course, Jorn’s association with the Situationist International. Curator: Absolutely. We see similar experimentation with chance and control in many of his peers' works. It’s fruitful to analyse such contrasts, the tensions between dark and light that echo broader anxieties or social critiques, and their construction within Jorn’s deliberate abstraction. Editor: Reflecting on the work, the materials and method feel very of-the-moment, like he’s wrestling with something very present. The image hints at both hope and disillusionment – a duality that stays with you. Curator: A keen final assessment, the deliberate ambiguities and formal juxtapositions create lasting resonance.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.