Portret van Josephine Durwend, ook bekend als Finette by Disdéri & Co.

Portret van Josephine Durwend, ook bekend als Finette 1860 - 1880

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photography, gelatin-silver-print

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portrait

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aged paper

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toned paper

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photo restoration

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parchment

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archive photography

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photography

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historical photography

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old-timey

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yellow element

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gelatin-silver-print

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19th century

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golden font

Dimensions: height 84 mm, width 51 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a gelatin-silver print titled "Portret van Josephine Durwend, ook bekend als Finette," created by Disdéri & Co. between 1860 and 1880. I'm struck by its antique appearance, a snapshot from a bygone era. The subject’s pose, so deliberately nonchalant, catches my attention. What stories do you think this image is trying to tell? Curator: The "nonchalant" pose itself speaks volumes, doesn't it? It’s theatrical, almost performative, yet carefully controlled within the conventions of portraiture. Look closely: how does the soft focus, typical of early photography, affect our perception of Finette’s character? Are we meant to see a person, or an archetype? Editor: Archetype…that's interesting! So you see it as more symbolic than a straightforward depiction of an individual? Curator: Indeed. Photography in this period was still wrestling with its identity as art versus documentation. This portrait plays with that tension. Consider her costume-like dress and dramatic background. Don't they whisper of the stage, of roles played? Perhaps the image explores how identity itself can be constructed, costumed, and performed for an audience. This photograph freezes not just a likeness, but an *idea* of a person. Editor: So it's not just about who she *was*, but who she wanted to be, or who the photographer wanted her to be? Almost a collaboration in crafting an image? Curator: Precisely! It prompts us to consider the cultural memory embedded in visual symbols. Finette’s self-presentation, filtered through the photographer’s lens and the era's ideals, reflects shared understandings of femininity, status, and even desire. Think of the psychology at play— projecting an image into the world with intention. What lasting effect does that projected persona have on us? Editor: That gives me a whole new perspective on the image! Thanks, that really illuminates so much more than just an old photograph. Curator: It's these layers of symbolism that keep these old photographs alive, prompting us to examine ourselves and our cultural narratives.

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