Fotoreproductie van De Heilige Familie door Bernard van Orley by Alexandre (fotograaf)

Fotoreproductie van De Heilige Familie door Bernard van Orley before 1883

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print, photography

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portrait

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print

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11_renaissance

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photography

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northern-renaissance

Dimensions: height 152 mm, width 108 mm

Copyright: Rijks Museum: Open Domain

Curator: We're looking at a photographic reproduction of "The Holy Family" by Bernard van Orley, a Northern Renaissance master. The photo was taken before 1883 and it resides here at the Rijksmuseum. Editor: My initial feeling is one of staged intimacy. Despite the religious subject matter, there's a deliberate posed quality that feels quite distant emotionally. Curator: That's interesting. From a historical perspective, it is fascinating how photography documented and disseminated earlier artworks. Consider the influence on the art historical narrative, reaching a much wider public than the original paintings could. Editor: Absolutely. The photograph here, especially a print like this, inherently mediates our relationship to the original. What power structures dictated whose work got memorialized this way? The reproduction, however, flattens the image – diminishing the original work's texture. Curator: Northern Renaissance art, and Van Orley specifically, held particular appeal in the 19th century. The detailed realism, the embrace of the everyday within religious settings, fitted in nicely with Victorian ideals of domesticity and piety. It reflected bourgeois family life. Editor: But it also conveniently overlooks the actual complex societal dynamics of that era! These "holy families" became tools to further particular definitions of gender, class, and social roles, obscuring inequalities in power, especially women’s agency and social exclusion of many people during the Renaissance. Curator: It prompts one to remember how selective such historical gazes could be, reinforcing particular narratives rather than truly reflecting a more nuanced picture. Photography played a strong role in these projections. Editor: Ultimately, these images function more like mirrors reflecting the values and desires of the culture that produced them, whether it be Renaissance Europe or 19th-century England, and of course us viewing them here in the present. It all reveals a great deal about power, visual economies and who holds them. Curator: Thank you. What a valuable way to think about the historical significance of the "Holy Family" by Van Orley through this photographic copy. It has opened my eyes! Editor: It seems like the afterlives of these images become the most powerful elements. It remains more pertinent now than perhaps in the past.

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