Smaragd 2016

Editor: Eckart Hahn's "Smaragd," created in 2016, seems to be an assemblage of mixed media, mostly cardboard it looks like. The geometric shapes, all wrapped and taped in green, give the impression of an abstracted plant form or perhaps some kind of futuristic architectural model. What strikes you most about this piece? Curator: I see a direct engagement with the discarded detritus of consumerism. The cardboard, the tape, these are the very materials that facilitate the movement and sale of commodities. The labor involved in transforming these humble materials into this geometric sculpture elevates the everyday. Where do you see the line between high art and craft in this work? Editor: Well, I initially saw it as purely sculpture. But now that you point it out, I guess it's hard to ignore the materials. There's definitely a handcrafted feel. Is the fact that it imitates a crystal relevant? Curator: The choice of "Smaragd," emerald in German, suggests an ironic commentary. The artist uses incredibly low-cost materials to mimic something precious, calling into question our values. The process, the layering and wrapping of materials, becomes the defining characteristic, almost negating any pretense of intrinsic value. Consider the amount of taping that Hahn uses. It shows how much work and labor is hidden behind such creation, as if deconstructing established high art production norms. Editor: That's interesting. I was focused on the final form, but the labor behind it, the construction process, changes how I see it. It makes the art much more down to earth. Curator: Exactly! Hahn forces us to look at the materiality of the art object and think about the systems that create and sustain both art and commerce. Now when you consider this piece, do you think it could ever lose its effect or significance? Editor: Hmm... perhaps as cultural attitudes shift toward sustainability, upcycling practices could overshadow the novelty of Hahn’s approach and use of repurposed material? Thanks, this was illuminating. Curator: Indeed. Seeing art through the lens of materials and process reveals much more than aesthetic qualities alone.