The Annunciation (verso) c. 17th century

Matteo Rosselli rendered this drawing of the Annunciation with pen and brown ink. Observe the angel Gabriel appearing before Mary, surrounded by putti amidst swirling clouds, a scene laden with traditional Christian symbolism. Here, the dove, emblem of the Holy Spirit, descends, and the lily signifies Mary's purity. Yet, look closer at the presence of skulls. These ‘memento mori’—reminders of mortality—are strikingly juxtaposed with the promise of divine birth. The skull recurs through art history, from ancient Roman funerary art to Vanitas paintings. These symbols serve as a potent reminder of the transience of earthly life, prompting reflection on spiritual matters. Rosselli masterfully weaves together themes of life, death, and spiritual awakening, engaging the viewer in a profound contemplation of existence. The emotional tension between human frailty and divine intervention resonates, tapping into our collective consciousness. This convergence of symbols reveals the deep-seated human quest for meaning and transcendence in the face of our inevitable end.