oil-paint
cubism
abstract painting
oil-paint
abstract
oil painting
geometric
abstraction
Copyright: Public Domain: Artvee
Juan Gris made ‘Le Raisin Noir,’ a painting of dark grapes, sometime in the early 1920s. I imagine him carefully laying down colors, one next to the other. The painting’s surface is like a puzzle: muted reds, yellows, and purples pushing and pulling against one another, creating depth and tension. I wonder what Gris was thinking as he painted each geometric shape, building up the composition bit by bit. Did he have a clear plan from the start, or did the painting evolve as he worked? The colors are matte and chalky; you can almost feel the texture of the pigment. Look at how he painted the grapes: each one a tiny, carefully placed circle, filled with dark tones. Gris was part of the Cubist movement, along with Picasso and Braque. It's as if he’s asking us to see the world in new ways, breaking down familiar objects into their basic shapes and forms. Ultimately, painting is a conversation, an exchange of ideas across time. Each artist builds on what came before, pushing the boundaries of what’s possible.
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