Anne in Profile by Avigdor Arikha

Anne in Profile 1973

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drawing, print, etching

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portrait

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drawing

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print

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etching

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realism

Copyright: Avigdor Arikha,Fair Use

Curator: Standing before us is Avigdor Arikha's 1973 etching, "Anne in Profile," currently held at Tate Britain. What are your initial thoughts? Editor: There's a remarkable intensity in those etched lines, creating a rather melancholic, perhaps even haunted mood. The deep shadows and the stark contrast heighten the sense of isolation around this figure. Curator: Absolutely. The composition is masterful in its stark simplicity. Observe how Arikha uses the etching technique to create varied textures and tonal values. Note the subject's gaze falling beyond the picture plane as the profile is softened in a way that almost erases it. Editor: The choice of profile is fascinating. Historically, profile portraits often served to idealize or monumentalize the subject. Yet here, the technique undermines such effect. I'm wondering about Anne herself; was she a significant figure, or does she represent something more broadly about women of the period? Curator: It’s difficult to speak conclusively on Anne’s symbolic significance, though Arikha tended to represent his close circles. It's tempting to suggest this technique challenges idealized notions of beauty by exposing, or even celebrating the roughness of her features. Look closely at the etching itself. You notice the density of lines around the eye and mouth versus the relative emptiness in the surrounding background. It makes you consider his choices of subject and mark making. Editor: The post-war context feels particularly relevant here. Arikha was dealing with the anxieties of modern life. Anne's disaffected expression, etched with such precision, communicates an emotional austerity of the period. How does realism play a part in that reading? Curator: Realism here is about something other than precise mimetic representation, wouldn’t you agree? It is almost hyperrealist in its depiction of the subject's unadorned essence. I mean, the work emphasizes subjective experience— a powerful, personal statement by Arikha, and by Anne herself. Editor: I agree. In capturing this intimate moment, the artwork invites us to confront not only Anne’s likeness but also something universal about human experience during a turbulent era. This work makes you question representation. Curator: A fine work that reveals so much on closer examination. The texture is a marvel. Editor: Indeed, I will carry an increased interest for etchings, going forward.

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