print, etching, engraving
etching
landscape
mannerism
cityscape
history-painting
engraving
Dimensions: height 135 mm, width 161 mm
Copyright: Rijks Museum: Open Domain
Editor: Here we have "Verraad van Ladron, 1570," though created a bit later, sometime between 1613 and 1615. It’s an etching, engraving, and print by an anonymous artist, and it’s a fascinating bird's-eye view of a city under siege. There’s a lot going on here, it’s a complex narrative…I find it strangely…optimistic? Even though it’s about betrayal. What do you make of it? Curator: Optimistic, eh? An interesting take! It’s that Mannerist style, all busy-ness and intricate detail, isn't it? It kind of sanitizes the gritty reality of war. But I see it more as a strategic map, or perhaps a propaganda piece? See how the attackers are meticulously placed, almost celebrated? I wonder, who was this Ladron, and why commemorate his alleged betrayal? Editor: It feels...stage-managed, maybe that's what gives it that air of removal. Almost like a play in landscape form! Perhaps a way to celebrate Antwerp despite, or even because of, its trials? So, you think the emphasis on precision shifts it away from pure history-telling? Curator: Precisely! And the artist is playing with perspective in that signature Mannerist way. It's not quite accurate, is it? More symbolic. That elevation grants the viewer this sense of omniscience and judgement… as if we're all capable of divining true motivations within the historic act. But… optimistic judgement? Curious indeed! Editor: I guess, despite the subject matter, I see this careful control, the clean lines, and I don’t feel the despair I might expect. Maybe "optimistic" isn't the right word... controlled? Refined? Curator: Ah, "controlled." I can appreciate that. These historical prints walked a tightrope, serving as both document and commentary. And often the commentary spoke louder, shaping public perception… And now ours too. Editor: Well, thanks for pointing all that out! I'll definitely be thinking about “controlled” rather than just battlefield drama from now on. Curator: A battle fought on paper, then, and perhaps again now in our interpretation. Delightful!
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