Buddhist Jewels c. 20th century

Editor: Here we have "Buddhist Jewels," a 20th-century ink on paper hanging scroll by Shūtō. The brushstrokes have this dynamic quality, almost like they're dancing. What do you make of it? Curator: I see a profound statement about the means of production inherent in Zen Buddhist art. Consider the ink, the paper, the brush – all deliberately crafted materials. Editor: How so? Curator: The very act of creating this piece – the labor involved in grinding the ink, preparing the paper, the skill in wielding the brush – it’s all part of the spiritual practice. Do you see how the deliberate imperfections elevate the physical materials, almost making them a conduit for expression? Editor: That makes sense. So the 'Buddhist Jewels' aren't just an idea, but an active making? The materials carry the concept? Curator: Exactly. The social context matters, too. The commissioning and consumption of these scrolls, intended for contemplation and display, were part of the cycle of artistic and economic activity within a religious community. Editor: It really changes how I see the work when I consider all that physical labor that is so inherent. Thanks! Curator: And thanks to you – your perspectives made me think even deeper. It is interesting to look into materials and labor!