Gardeners by Keith Arnatt

Gardeners 1978 - 1979

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Dimensions: support: 404 x 304 mm

Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Keith Arnatt’s photograph, "Gardeners," from an unknown date. It's a black and white image of a man standing in a garden. It feels very ordinary, almost like a snapshot. What's your interpretation? Curator: It's a compelling image, isn't it? I see a commentary on labour, class, and the male figure in post-industrial Britain. Consider the context: Conceptual art challenging traditional art forms, while economically, manual labour faced devaluation. Do you think Arnatt is simply capturing reality, or is there something more? Editor: It does feel like there's something deeper than just a man in a garden. Curator: Exactly. The everydayness is the point. Arnatt prompts us to question the value placed on different kinds of work, and who gets to be seen, and how. Editor: I never thought of it that way. It makes you think about the politics of the everyday. Curator: Indeed. It's a deceptively simple image that unravels layers of social commentary.

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tate's Profile Picture
tate 3 months ago

http://www.tate.org.uk/art/artworks/arnatt-gardeners-t13097

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tate's Profile Picture
tate 3 months ago

Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.