Dimensions: support: 451 x 692 mm frame: 960 x 735 x 60 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Walter Sickert's "Venice, la Salute" renders the famous Venetian basilica in oil on canvas. I'm struck by the almost somber mood despite the bright water. What exactly do you see in this piece? Curator: It's as if Sickert has captured a memory, a fleeting moment rather than a postcard-perfect view, don't you think? The way he mutes the colors, focuses on the weight of the architecture… it's less about the specific place and more about a feeling of being there, of history pressing down on you. How does that strike you? Editor: That resonates! It's not just a pretty picture; it's a felt experience. Curator: Precisely! And perhaps a bit of Sickert himself woven into the scene. I see a somber self portrait. Editor: I’ll never look at Venice the same way again!
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http://www.tate.org.uk/art/artworks/sickert-venice-la-salute-n05093
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Sickert visited Venice several times between 1895 and 1904. He was becoming interested in close-up views and in capturing the solid masses and the rhythm of architecture. This picture confounds our expectations by showing only a portion of the great domed church of Santa Maria della Salute, giving equal space to the more severe lines of the building to the left. He described his working method in Venice as striving 'to see the thing all at once. To work open and loose, freely, with a full brush and full colour. And to understand that when, with that full colour, the drawing has been got, the picture is done.' Gallery label, August 2004