Portret van Maximilien de Béthune, hertog van Sully c. 1855

This is a portrait of Maximilien de Béthune, the Duke of Sully, made by E. Lemaître using etching and engraving techniques. The printmaking processes of etching and engraving, are both about controlled removal of material, revealing an image, line by painstaking line. Here, the intricate lines give the portrait a tactile quality, emphasizing the texture of the Duke's beard, armor, and the delicate ruff around his neck. These printing techniques demanded a high level of skill and precision, reflecting the social status of both the artist and the sitter. The labor-intensive nature of these printing methods also speaks to a pre-industrial mode of production, where craftsmanship and individual skill were highly valued. Ultimately, the portrait immortalizes Duke Sully, but also serves as a testament to the artistic and technical skill involved in its creation. It bridges the gap between representation and material presence, offering a glimpse into the world of early printmaking and its cultural significance.