Coronation of the Virgin 1350 - 1375

Editor: This panel painting, "Coronation of the Virgin," is by an unknown artist. The texture of the gold leaf background catches my eye, along with the punchwork details. What can you tell me about the materials and process? Curator: The use of gold, lapis lazuli for the Virgin’s robe, and the specific pigments available at the time were costly, signaling patronage from wealthy individuals or institutions. How does understanding the socio-economic context of material production change your interpretation? Editor: It makes me consider the artwork as a product of labor and commerce, not just devotion. Thanks! Curator: And perhaps, challenges the traditional art historical focus on authorship and iconography?