Synchromy with F. B. 

R. B. Kitaj’s “Synchromy with F. B.” presents a compelling composition created through the lithographic process. Lithography, a printmaking technique reliant on the chemical repulsion between oil and water, imbues this work with a distinctive texture and depth. The artist likely drew his design on a stone or metal plate using a greasy medium, then treated the surface to accept ink only in the areas drawn. This process allows for the creation of bold shapes and colors, such as those seen in the figures and abstract forms within the image. The material qualities of lithography lend themselves well to Kitaj’s exploration of color and form. The flat planes of color create a dynamic visual rhythm. The somewhat coarse, porous texture resulting from the lithographic process lends the print a tactile quality, inviting viewers to engage with the artwork on a sensory level. Kitaj's choice of lithography, a process that allows for the reproduction of images, raises questions about originality and authorship in art. By embracing a technique rooted in mass production, Kitaj challenges traditional notions of artistic creation, inviting us to consider the social and cultural implications of printmaking in the modern era.