Study for "Christ Chasing Money Changers from the Temple" c. 18th century

Curator: Giovanni Paolo Panini's "Study for 'Christ Chasing Money Changers from the Temple'" presents us with a whirlwind of pen strokes. It's housed here at the Harvard Art Museums. Editor: My initial impression is chaos contained. The composition is incredibly busy, all those figures, but the tight framing gives it an almost claustrophobic intensity. What do you think? Curator: It's fascinating to consider the materiality. Brown ink on paper—simple tools used to depict a complex biblical narrative. Panini likely produced this as a preparatory sketch, which offers insights into his process. Editor: Absolutely. The social commentary is striking too. This scene, of Christ challenging economic corruption within a sacred space, resonates powerfully even now. Curator: Indeed. Considering the economic structures of Panini’s time, it's interesting to consider what his patrons thought of such imagery. Editor: Yes, this piece compels us to reflect on power, faith, and the persistent struggle against injustice. Curator: It shows the labor and the material become a vessel for deeper social reflection. Editor: A potent reminder that art, even in its preliminary form, can spark critical dialogue.