Groepsfoto by Woodbury & Page

Groepsfoto 1863 - 1869

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photography, albumen-print

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portrait

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archive photography

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photography

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historical photography

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group-portraits

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19th century

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albumen-print

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realism

Dimensions: height 98 mm, width 169 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a photograph from between 1863 and 1869 entitled "Groepsfoto," made by Woodbury & Page. It's an albumen print. I’m immediately struck by the formality of this group portrait, and how stiff everyone appears. What symbolic meanings or stories do you think are embedded in this image? Curator: It is quite telling. Beyond the immediate impression of formality, I see layers of cultural encoding. The composition itself, the rigid structure, isn’t merely aesthetic; it reflects the societal hierarchies of the time. Notice the backdrop—a colonial building, those very precise classical pillars. They project a sense of permanence, order and control, ideas which echo through many of the details included here. Do you observe the subtle gradations in status visually represented? Editor: I do now that you point it out. The arrangement has people of different rank posed together, but the hierarchy of social standing is very visible. Some people sit and others stand slightly behind, their bodies much further away from the "seat of power" it seems. Curator: Exactly! Then we have details like clothing. Uniforms, European fashion—symbols of power and affiliation, creating visible boundaries within this staged group. Their emotional expressions also appear carefully managed. These kinds of early photographs tell a deliberate narrative— one about colonial administration. Think about the intended audience and the image that they wanted to convey about themselves. How does this all land for you? Editor: It's eye-opening to consider how much is being communicated beyond just a simple 'group photo'. It makes you wonder what they consciously wanted to show, and maybe even what they unintentionally revealed. Curator: Precisely. Images like this reveal as much by their careful construction as they do through any overt symbolism. Understanding their intent, even partially, allows us to look through a window into their minds. Editor: I'll never see a historical photograph the same way again. I appreciate the insight.

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