Kone fra Øen Mycone by Martinus Rørbye

Kone fra Øen Mycone 1835

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drawing, pencil

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portrait

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drawing

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pencil sketch

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figuration

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romanticism

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pencil

Dimensions: 204 mm (height) x 157 mm (width) (bladmaal)

Curator: Welcome. We're looking at "Kone fra Øen Mycone", or "Woman from the Island of Mykonos", a pencil drawing by Martinus Rørbye, dating back to 1835. It resides here at the SMK, the Statens Museum for Kunst. Editor: It has a soft, almost ethereal quality. I can't help but imagine the gentle clack of those knitting needles. There's a certain timelessness about it, isn't there? It evokes such a simple and tranquil world. Curator: Indeed. Rørbye was a prominent figure in the Danish Golden Age of painting. This drawing, and others from his travels, reflects the Romantic interest in the exotic and the everyday life of people in different lands. It was important to document culture in accurate, picturesque ways. Editor: You can almost feel the dry, hot Mediterranean air just looking at it! I imagine her knitting under the harsh glare, just taking it easy and minding her business... What do you think of the soft line quality, really just emphasizing the overall gentle form. Curator: The soft lines of the drawing perfectly aligns with the Romantic aesthetics prevalent at the time, idealizing rural life and focusing on emotion and individual expression. It presents the subject not as a mere ethnographic study, but almost, well… almost reverentially? Editor: Almost a Madonna-like serenity to her gaze... knitting, a symbol of domesticity, she herself appears to be cloaked, but with so much more dignity than is usually expressed. And all with just pencil strokes, no heavy shading or anything. What sort of role would a work like this play for viewers back then, in say, Denmark? Curator: Back then, travel to places like Greece was not easily available. Pictures like these allowed the people back in Copenhagen to catch a glimpse of another, "romantic" life, fueling interests in ethnography and romantic art movements, of course. Editor: Looking at her posture... not entirely comfortable or graceful... maybe there's more to this simple form. Makes it feel really honest somehow. Curator: An honest portrayal reflecting Rørbye's interest in capturing genuine moments, far from staged theatrics. Well, that gives me much to consider! Thanks for that... Editor: Thank you. A beautiful glimpse into a simpler, gentler time. Something easy to love, hopefully something that helps people leave here thinking more, themselves.

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