Gruppe med tre mænd 1825 - 1826

Editor: Here we have "Gruppe med tre mænd," or "Group of Three Men," a drawing in pencil and watercolors by Martinus Rørbye, created around 1825 or 1826. It seems almost like a quick sketch capturing a fleeting moment. What captures your attention in this seemingly simple work? Curator: I'm drawn to the materiality of this piece, the very humble and accessible means through which Rørbye depicts these figures. Look at the way the pencil lines create the forms. This drawing speaks to a broader production of imagery during the period and questions the separation of ‘high art’ and ‘craft’ through labor. Where do you think these figures would fit into Danish society? Editor: Based on their attire – top hats and formal jackets – they likely belong to the middle or upper classes, perhaps merchants or landowners? Curator: Exactly. Now consider what this sketch, rendered in relatively inexpensive materials, reveals about access to image-making and representation during the Romantic era. Does the rapid capture affect your perception of the finished drawing? Editor: It does. The immediacy and informality feel quite modern, even though the subject matter appears historical. Knowing the materials emphasize the act of creation rather than just the finished piece makes me appreciate the artist’s process. Curator: And isn't that focus on process compelling? By emphasizing the labor of making and the materials used, Rørbye provides a glimpse into the social and economic landscape of his time. Editor: I hadn’t considered the class dynamics implicit in the materials. The drawing initially appeared straightforward, but thinking about its production complicates and enriches my understanding. Thanks! Curator: Likewise! Looking closer always unearths exciting questions.