Portret van Christoph Jacob Waldstromer von Reichelsdorf 1766 - 1787

Editor: We're looking at "Portret van Christoph Jacob Waldstromer von Reichelsdorf," an engraving from between 1766 and 1787 by Johann Adam Schweickart. The figure appears very distinguished and stern; a little intimidating, to be honest. What’s your take on this portrait? Curator: Intimidating is a perfect word! The baroque love for dramatic flair certainly helps there. Look at the elaborate ruff and the rather severe gaze. It screams, "I am important." For me, the engraving teases out ideas about social standing and the performance of power in the late 18th century. What do you think about how Schweickart’s choice of the engraving medium contributes? Editor: That's interesting; the details in the engraving, all those tiny lines, emphasize texture and wealth, maybe? Does the architectural backdrop play a similar role? Curator: Exactly! The backdrop mirrors his own status and ancestral lands. Each tiny, precise line feels intentional. Engraving in itself was a time-consuming and meticulous craft – suggesting patience, skill, and by extension, wealth. Editor: I see your point; it's a carefully constructed image designed to convey authority and stature, from the medium used to the background setting. Curator: Precisely! It also reminds us how the concept of portraiture back then wasn't just about capturing a likeness; it was about crafting an image. It leaves me wondering what Christoph himself would have made of this portrait. Editor: A fascinating point to ponder. Thanks for illuminating this image for me!