Death of the Virgin c. 1470 - 1475

"Death of the Virgin" was made by Martin Schongauer, likely in the late 15th century, using the technique of engraving. This printmaking process involves meticulously incising an image onto a metal plate, which is then inked and pressed onto paper. Consider the material reality of this work: the dense network of fine lines, each one a testament to Schongauer's control and skill. The stark contrast between light and shadow creates a palpable sense of drama. Look at the patterns on the drapery, the textures of the faces, all rendered through precise and repetitive work. Engraving was a laborious process, requiring specialized tools and years of training. Schongauer was a master of his craft, and his prints were highly sought after during his lifetime. The value of this print also speaks to the rise of a market for art. Prints like these were relatively affordable, allowing a wider audience to access religious imagery and artistic skill. By appreciating the artistry and labor involved in its creation, we recognize that the history of art is also a history of making.