Birds VII 

Curator: This is "Birds VII," an oil painting by Małgorzata Serwatka. I’m immediately struck by the muted palette. It gives the birds a sense of quietude, almost melancholy. What catches your eye? Editor: I notice first the visible brushstrokes, applied so thickly they create a very tangible texture. This adds to the rustic and grounded feel of the image. Do we know anything about Serwatka's studio practice? Curator: Not specifically, but we can see from the density of the oil paint usage, especially in creating depth in the clustered birds and their nestlike perch, a deep material interest. The very visible handling suggests that Serwatka comes from a tradition of ‘craft painting.’ Editor: Yes, the way Serwatka layers those brushstrokes mimics, even honors, the laborious tradition. I’m drawn to the formal aspects too - the soft diffused light and muted palette create a unifying tone despite each bird displaying an unique texture and pattern. I think that even a naive, primitive composition creates balance, no? Curator: That contrast between labor-intensive production and folk-art style is especially compelling when you consider the market this painting operates within. To engage with themes from this visual perspective becomes its strength. There is almost a sense of quiet protest, no? Editor: An interesting thought! I still return to the technique: notice how each bird has subtle, gradated shadows adding a roundness and dimensionality to the whole composition. It’s expertly done in what initially might seem an unassuming manner. Curator: Right, the charm isn't accidental. The artist consciously evokes and upends what the viewer thinks "primitive" artwork can accomplish. Serwatka's method pushes against the assumed definitions, asking: What does "skilled" craftsmanship look like? Editor: This push and pull, both material and art-historically engaged. It’s a thoughtful approach. I come away considering my notions about skill and authenticity. Curator: Me too. There’s far more intention beneath the surface. I might never look at ornithological illustration, again, in the same way.