Étui 1771 - 1772

Curator: Well, it's difficult not to be impressed by such masterful goldsmithing, isn’t it? Mathieu Coiny fils crafted this delightful 'Étui' sometime between 1771 and 1772. Editor: Delightful is indeed the word! My first impression is how impeccably detailed and ornate it is. The surface almost vibrates with all the minute textures and carvings. Curator: It’s quintessential Rococo, wouldn't you say? Reflecting a society that cherished ornamentation as a symbol of status and power. The piece acted almost like a tiny, portable display of wealth for its owner. Editor: Absolutely. Formally, it’s all about rhythm. Notice how those vertical flutes alternate with garlands. Then, the eye travels along those symmetrical laurel wreaths to that elaborately decorated dome. It has a defined architecture of luxury! Curator: Considering that these cases often held small, but precious items—cosmetics, perhaps sewing implements—one could interpret the 'Étui' as a physical embodiment of the privacy and personal care afforded to the upper classes. Editor: A jewel box in miniature! The way light would play off all those meticulously chased surfaces... beyond mere function, it was meant to entrance. Imagine it catching the candlelight in a lavish salon. Curator: Indeed. It’s a telling reminder of the culture from which it came: excess meeting artistry. It represents a very particular moment in social history. Editor: A superb piece of craft. One can keep finding new patterns and ingenious details to appreciate on repeated viewings. Curator: A fascinating encapsulation of Rococo artistry and aristocratic privilege. Editor: Precisely, an indulgence captured in gold.