Venus van het Capitool by Fratelli Alinari

Venus van het Capitool c. 1893 - 1903

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photography, sculpture

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portrait

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sculpture

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greek-and-roman-art

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photography

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sculpture

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nude

Dimensions: height 242 mm, width 194 mm, height 309 mm, width 507 mm

Copyright: Rijks Museum: Open Domain

Editor: So this is a photograph from between 1893 and 1903 by Fratelli Alinari, capturing the sculpture "Venus van het Capitool," which currently resides in the Rijksmuseum collection. The figure almost seems self-conscious; I wonder about the context of representing the nude female form like this. How do you interpret this work, considering its historical background? Curator: It’s fascinating to consider this photograph of a sculpture as an artifact in itself. Think about the late 19th-century context. Photography was emerging, museums were becoming public institutions, and classical sculptures like this 'Venus' were being used to legitimize Western ideals of beauty and power. How might this image have been circulated and used in that period? Was it intended for scholarly study, for popular consumption, or something else entirely? Editor: I hadn't thought about its circulation! I guess I assumed it was purely for documentation. But you’re right, it could have been used to shape popular ideas about beauty and Western heritage. Curator: Exactly! Consider how this image presents a specific version of the classical nude – idealized, but also sanitized for a Victorian audience. The positioning of the hands is particularly interesting. What does it tell us about societal norms and the politics of displaying the female body at the time? Editor: So it’s less about the Venus sculpture itself, and more about how this *image* of the Venus sculpture functions within a particular historical moment? Curator: Precisely. By examining its production, circulation, and reception, we can uncover the complex interplay of art, power, and cultural values that shaped the late 19th century. The Rijksmuseum collecting and presenting this photographic document speaks to a valuing of cultural history and preservation. Editor: That's really insightful. It changes my perspective on the image entirely. I'll definitely be thinking about the politics of display in relation to other artworks now. Curator: Excellent. Always question the frame!

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