Sculptuur door Jean Gautherin, voorstellend een personificatie van de Franse republiek before 1879
Dimensions: height 240 mm, width 187 mm
Copyright: Rijks Museum: Open Domain
Curator: I find this profile almost ethereal, conveying simultaneously strength and vulnerability through delicate marble. Editor: Indeed. We're looking at a sculpture by Jean Gautherin. It depicts an allegorical personification of the French Republic, dating from before 1879. What I find particularly compelling is how Gautherin draws from Neoclassical aesthetics to portray a figure of modern political idealism. Curator: The Phrygian cap atop her head, usually associated with freed slaves in antiquity and later with the French Revolution, speaks volumes. It ties together ideals of liberty, resistance, and nationhood in a very potent visual symbol. The face itself, however, possesses a remarkable calm, which softens any potential aggression, in effect suggesting a measured, rational approach to those concepts. Editor: Right, there is almost a divine quality to her expression and posture that reminds me of Classical busts of goddesses, embodying universal ideals of beauty, wisdom, and the nation itself. Gautherin consciously adopts the visual lexicon of antiquity to ennoble the relatively young French Third Republic. Curator: What is fascinating about the symbolic vocabulary and Gautherin's composition, if you contrast it with how enslaved Black people were simultaneously dehumanized in order to justify that era's economic production model? What could it have meant for Black French subjects living in the Republic and other French territories at the time this sculpture was cast? Editor: That's a crucial point. Juxtaposing these contrasting portrayals highlights inherent contradictions within the Republic’s stated ideals of liberty, equality, and fraternity during the late nineteenth century. While this piece champions Republicanism and France, it unintentionally reveals an ongoing project of defining who is included and who is excluded from enjoying those celebrated rights and liberties. Curator: A crucial, uncomfortable consideration that persists as a dialogue. Editor: Precisely. This bust encapsulates that enduring complexity.
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