Zegenend Christuskind by Erasmus Quellinus

Zegenend Christuskind c. 1617 - 1678

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print, engraving

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portrait

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baroque

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print

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figuration

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engraving

Dimensions: height 140 mm, width 113 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Erasmus Quellinus' "Blessing Christ Child," an engraving from the 17th century. It's fascinating to see such a weighty subject rendered in delicate lines. What symbols stand out to you in this piece? Curator: Immediately, the serpent comes to mind. Notice how it's coiled around the Christ Child, yet he's not threatened. Consider the cultural memory associated with snakes—temptation, deceit, even evil. Yet here, the Christ Child seems to dominate it. What does that suggest to you about the artist's intent, about the symbolic narrative he’s trying to build? Editor: It seems to indicate that the Christ Child, even as an infant, holds dominion over sin. The orb with the cross reinforces this, doesn't it? Curator: Precisely. It signifies earthly power under divine authority. How do you interpret the blessing gesture? Is it simply a benediction, or something more complex? Think about who the image would have been for at the time, and how gestures spoke louder than words. Editor: Perhaps a promise of salvation? Or even an absolution? And given the historical context, I'd imagine the serpent at his feet has complex meanings with colonial narratives... Curator: An interesting insight to question the gaze, and colonial narratives intertwined with religion. Consider the radiant light surrounding the Child’s head—what impact does it have on you? Editor: It suggests divinity and innocence. It really reframes the work as a statement of faith and power rather than just a charming portrait. Curator: Exactly. Images like this serve as powerful cultural and psychological touchstones, reminding viewers of core beliefs. Editor: It's amazing how a seemingly simple image can contain layers of cultural meaning. I will now read images and visual symbols much differently.

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