Dimensions: support: 1946 x 1297 x 20 mm frame: 1995 x 1345 x 50 mm
Copyright: © The estate of the André Fougeron | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: André Fougeron painted "Return from the Market," currently residing at the Tate Collections. It’s a large piece, nearly two meters tall. The artist, who lived from 1913 to 1998, captured this scene with oil on canvas. Editor: My immediate impression is one of subdued resilience. The muted colors and the woman's direct gaze create a powerful, yet quiet, atmosphere. Curator: Considering Fougeron’s commitment to socialist realism, this piece likely aims to depict the realities of working-class life. The title itself points to the daily labor involved in acquiring food. Editor: Indeed, but notice the composition, the careful arrangement of objects—the bread, the photographs on the table—they seem to signify more than just a return from the market. There's a narrative suggested in their placement and juxtaposition. Curator: I think you're right to observe that. The inclusion of everyday materials and focus on the domestic sphere elevates these elements to a status worthy of artistic exploration. It is also important to note the historical context, perhaps this painting is from the postwar period. Editor: Ultimately, Fougeron gives us not just a depiction of labor, but a poignant reflection on existence through materiality. Curator: And the way he marries subject and technique makes it a captivating portrayal of lived experience.
http://www.tate.org.uk/art/artworks/fougeron-return-from-the-market-t07705
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Fougeron was the leading artist associated with the French Communist Party in the early 1950s. This is a portrait of his wife. By surrounding her with the details of their own modest domestic interior - the loaf and vegetables, the standard tiling and utilitarian sink - he indicates a simple life of material struggle. And by applying the precision of his ''new French realism'' to his own family and home, Fougeron emphasises his role as artist of the people. Gallery label, August 2004