Gabrielle, from the Actresses and Celebrities series (N60, Type 2) promoting Little Beauties Cigarettes for Allen & Ginter brand tobacco products 1887
drawing, print, photography
portrait
drawing
impressionism
charcoal drawing
photography
19th century
portrait drawing
portrait art
Dimensions: Sheet: 2 3/8 × 1 1/2 in. (6 × 3.8 cm)
Copyright: Public Domain
Editor: Here we have an 1887 print from Allen & Ginter, titled "Gabrielle," part of their Actresses and Celebrities series, designed to promote Little Beauties Cigarettes. It's such a strange piece of advertising, with this delicate photographic portrait used to sell tobacco products. What catches your eye in this image? Curator: It's fascinating how seemingly disparate elements converge here: beauty, celebrity, and a vice. Observe how Gabrielle is presented; the soft focus and gentle pose evoke vulnerability, almost innocence. And then, that enormous bow, a symbol that repeats with the feathered hat and then repeated yet again with the implied bow of cigarette smoke. Does this evoke any sense of societal pressures or expectations, perhaps those projected onto women of the era? Editor: I hadn’t considered that angle, but you’re right, the bow appears as almost a noose. I mean, there's definitely something performative about her gaze; it’s an overt invitation that speaks directly to its male consumers. So much of it centers on constructing ideals. Curator: Precisely. The image becomes a vessel for cultural aspirations, anxieties, and desires. This goes beyond mere advertisement, it's about encoding what is desirable in the collective psyche through potent symbols and aspirational images. Does seeing it this way alter your initial perception? Editor: It certainly does. Initially, I saw a pretty portrait, but now I see a complex interplay of image and ideology. It's no longer simply about selling cigarettes. Curator: Exactly. The cultural memory embedded in objects like this provides a portal into the shared experiences and collective understandings of the time, reminding us that images rarely operate on a single level of meaning. Editor: This has truly transformed how I perceive not just this portrait, but the entire function of images within consumer culture. Curator: Wonderful, isn't it? Recognizing these layers makes viewing art a dynamic and enriching process.
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