Portret van Samuel Schelwig by Friedrich Carl Göbel

Portret van Samuel Schelwig 1653 - 1715

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print, engraving

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portrait

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baroque

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print

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old engraving style

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genre-painting

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engraving

Dimensions: height 355 mm, width 227 mm

Copyright: Rijks Museum: Open Domain

Curator: This is a rather captivating baroque engraving dating from between 1653 and 1715, entitled "Portret van Samuel Schelwig." Editor: Gosh, what strikes me is how somber and serious the overall composition is. I mean, you’ve got the crucifix looming on one side, books suggesting intense study in the back, a scholar with what looks like a quill… He really looks like he’s carrying the weight of the world on his shoulders! Curator: Absolutely, and that weightiness is further enhanced by the specific details the artist has included. As an iconographer, what do you think of the crucifix appearing there, partially obscured behind Samuel’s head? Editor: I think the placement is rather intentional, meant to underline his devotion or perhaps suggest a life lived in contemplation of faith, even martyrdom! His black attire, coupled with the stark white collar, only reinforces this air of ascetic intellectualism. And the quill in hand suggests this is a man defined by his writings. Curator: Yes, the use of symbolism really brings depth to this otherwise straightforward portrait. The very medium, printmaking, lends itself to a level of intricacy in the rendering of fabrics and textures, amplifying the mood of gravitas you observed. I keep wondering if the subject collaborated and requested certain props! Editor: Probably! Each symbol functions a little like an objective correlative. If someone who knew nothing of Schelwig came across this print, they might deduce a little about the subject's intellectual leanings. The inclusion of those props might even function a bit like an advertisement of one’s skill in erudition and contemplation. Curator: I agree, a portrait can serve a very functional role within a community, providing status to the subject. Editor: Looking at this has encouraged me to ruminate over how much we reveal, both intentionally and unconsciously, through the images we choose to represent ourselves. It’s really so interesting to consider. Curator: Indeed, this Baroque engraving allows us not only to appreciate its artistic detail, but also reflect on portraiture as a medium that is revealing on a personal and a cultural level.

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