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Curator: This is "Marriage at Cana," an anonymous work housed here at the Harvard Art Museums. It depicts a well-known biblical scene. Editor: It feels a bit naive. The linear quality gives it a folk-art sensibility. I wonder about the labor involved in producing such a piece. Curator: Considering the social context, these kinds of prints were significant for the circulation of religious imagery outside the established church. Editor: Yes, and look at the vessels depicted—their simple forms. Were they meant for functional use or purely ceremonial? Their materiality matters. Curator: Indeed. The print's dissemination likely played a crucial role in shaping popular religious understanding. Editor: Thinking about production, I wonder what kind of workshop created it and the skill levels involved. Fascinating!
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