Bronzen lilla by Abdulsamed

Bronzen lilla 1864 - 1865

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metal, bronze, sculpture

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medieval

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metal

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bronze

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form

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geometric

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sculpture

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history-painting

Dimensions: length 134 cm, length 17.5 cm, length 116.5 cm, diameter 37 mm, diameter 18 cm, weight 74.6 kg

Copyright: Rijks Museum: Open Domain

Editor: So, here we have "Bronze Lila", created around 1864-1865, made of, well, bronze. It looks remarkably austere, doesn't it? Stark even. What sort of story does it seem to whisper to you? Curator: Austere, yes, but also assertive. This cannon speaks volumes about power, protection, and perhaps, even a yearning for security in a world often defined by conflict. Notice the cylindrical form. Geometric, unyielding. It reminds me of earlier Roman forms, where practicality met idealized strength. The cannon represents not only medieval warfare, but a legacy of protection and a projection of strength. Does the form call anything else to mind? Editor: I guess that's obvious, but also it is meant to be quite imposing in scale. It isn’t ornate, so what could the relative lack of decorative elements suggest? Curator: The absence of elaborate ornamentation speaks volumes. Rather than distracting flourishes, the emphasis is on pure form and function. Think about its purpose. As an instrument of war, excessive detail would be not only impractical but potentially detrimental. Instead, its visual vocabulary consists of smooth lines, geometric forms, and solid construction. All emphasize effectiveness over aesthetic distraction, its value residing in strength and purpose. Editor: So its message is really about function dictating form and an unspoken understanding of what signifies "power". Curator: Precisely! Each curve, each proportion carries that cultural weight. A solid bronze cannon made for an army symbolizes so much beyond its basic functionality as a military instrument. Visual messaging, memory, psychology and function combined. Now what are your thoughts now about that message of ‘security’ we spoke about at the beginning? Editor: Okay, I see what you mean, especially with a focus on visual symbols relating to the canon’s place in history!

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