The Battle of Tunis by Giovanni Bernardi da Castel Bolognese

The Battle of Tunis 1539 - 1549

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relief, bronze, sculpture

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ship

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sculpture

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relief

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bronze

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figuration

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sculpture

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horse

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history-painting

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decorative-art

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italian-renaissance

Dimensions: Overall: 4 1/4 × 4 1/2 in. (10.8 × 11.4 cm)

Copyright: Public Domain

Editor: Okay, so this piece, "The Battle of Tunis" is a bronze relief sculpture by Giovanni Bernardi da Castel Bolognese, dating back to sometime between 1539 and 1549. It's incredibly detailed. There is so much happening, and it makes you feel as though you’ve entered this world. What particularly strikes you about it? Curator: Well, isn't it something? I find myself almost overwhelmed by the sheer *drama* compressed into this small space. The chaos of battle is practically erupting off the surface. Consider the ships— miniature armadas almost— facing the furious clash of cavalry on the right side! It almost makes you sweat, doesn't it? Editor: It really does. It’s amazing how Bernardi creates depth within such a shallow relief. Almost like the waves crashing to the sandy dunes. But, is that maybe part of the glorification of war? Like smoothing over the actual experience with artistic flourish? Curator: Ah, that’s a canny observation! It *is* glorious, isn’t it? Bernardi, consciously or unconsciously, invites us to admire the artistry and the valor, maybe even overshadowing the grit and true human cost. What else do you think jumps out, visually? Is there anything symbolic, do you suppose? Editor: Hmm, the horse imagery is quite strong. All those men riding. Maybe the horse itself is a symbol of power, control? Curator: Yes, that checks out with the Renaissance. A symbol of nobility, strength, military might, the horsepower, as they say, literally driving history forward. Think about what you're learning and what the symbolism means. Where does it come from and is there more than meets the eye? Food for thought... Editor: That makes so much sense! I wouldn't have looked at it that way. Curator: Art history at its best – changing how we *see*.

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