Studies van sterletten, met kleurnotities by Gerrit Willem Dijsselhof

Studies van sterletten, met kleurnotities 1876 - 1924

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drawing, ink, pencil

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drawing

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ink drawing

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pen sketch

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pencil sketch

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asian-art

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landscape

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ink

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geometric

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pencil

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abstraction

Dimensions: height 343 mm, width 431 mm

Copyright: Rijks Museum: Open Domain

Curator: Before us we have Gerrit Willem Dijsselhof’s "Studies van sterletten, met kleurnotities" a work created sometime between 1876 and 1924. It's a pencil and ink drawing. Editor: It has an unsettlingly dynamic quality to it, almost like they are still moving. Even in this sketched form. Curator: It's intriguing to see how Dijsselhof used both pencil and ink, creating subtle variations in tone and texture. The medium enhances the fluidity of the fish themselves. The layering and cross hatching, it suggests a certain level of contemplation. Editor: Precisely, he captures more than just their outer form. There's a deliberate rendering. This technique creates not just an image, but also invites our participation in building its form. The quick strokes juxtapose those heavier areas to generate dynamism and tension. The visible annotations scattered around the sketches act almost like guides. Curator: Indeed, those color notations give the artwork a distinct touch. As sturgeon hold a peculiar presence within mythology, what significance might you find in these studies of sterlet specifically? The image provides both cultural relevance and, given his profession, access to the delicacies found only in Asian and European art. Editor: What a striking interpretation, yes. As for symbolism— perhaps related back toward our modern unsustainable demands? And given the sturgeon’s current threatened status worldwide, it prompts contemplation regarding themes of conservation. Curator: Absolutely! Considering the temporality too of art. The fish sketches feel fresh, almost timeless in the delicacy despite being over a hundred years in our past. Dijsselhof captures a fleeting beauty, the image leaves lasting echoes and compels one consider ideas associated around mortality, the animal kingdom…and us. Editor: Quite insightful; thanks for framing Dijsselhof's creation within these cultural as well visual contexts; personally I see a complex piece blending immediacy, intention... it makes us reflect too.

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