This is Giovanni Battista Piranesi’s etching of the Church of Andrea della Valle, made sometime in the 18th century. Piranesi was an Italian artist, celebrated for his etchings of Rome. Through his work, Piranesi doesn’t just show us Rome; he interprets it. The artist was deeply influenced by the cultural and political climate of his time, marked by the Enlightenment’s fascination with classical antiquity and the grandeur of the Baroque era. Notice the dramatic perspective, an emotional intensity that invites viewers into the scene, engaging with the city's narrative. Piranesi’s Rome is a city teeming with life and history. Yet, it's also a stage where issues of power, identity, and social class play out. How does Piranesi invite us to reflect on the layers of history, power, and human experience embedded within Rome's architectural landscape?