Gezicht op Rouen 1749

Israel Silvestre made this print of Rouen sometime in the mid-17th century using etching and engraving techniques. It's a bird's-eye view, presenting the city as an organized, almost idealized space. The image is less about geographic accuracy, and more about civic pride and perhaps even a display of power. City views like these became popular during this period, reflecting a growing sense of urban identity and, for the ruling classes, control. Silvestre's choice of perspective flattens the city, emphasizing its key structures like churches and administrative buildings. Note also the tiny figures in the foreground. Their inclusion suggests a population living harmoniously under the city's order. Understanding this artwork requires us to consider the socio-political context of 17th century France. Archival research into urban planning, the role of the church, and the politics of representation during this period would give us a fuller understanding of Silvestre's aims, and how the artwork was received by its intended audience.