drawing, paper, ink
drawing
figuration
paper
11_renaissance
ink
history-painting
italian-renaissance
Dimensions: 180 mm (height) x 287 mm (width) (bladmaal)
Alessandro Bonvicino, il Moretto, created this pen and brown ink drawing titled ‘The Supper at Emmaus’. The 16th century was a period of intense religious reform that was explored by artists through biblical themes. Moretto’s Supper at Emmaus, shows the resurrected Christ sharing a meal with two disciples who finally recognize him. The emotions of that pivotal moment are subdued. Instead of a moment of divine recognition, we have a solemn gathering. This portrayal reflects the tense theological debates about the nature of the Eucharist. This scene invites reflection on faith, doubt, and recognition. Moretto's choice to depict this moment with such restraint and humanity opens a space for viewers to personally engage with the narrative. It encourages an emotional and intellectual investment in the mysteries of faith and belief.
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