Joshua Whitney, Harvard, Massachusetts, 1750 1963

Editor: This intriguing print, "Joshua Whitney, Harvard, Massachusetts, 1750" by Ann Parker, presents a striking face framed by spiral and floral motifs. What sociopolitical statements do you find embedded in this piece? Curator: Consider the historical context. Ann Parker created this work in a time of immense societal change and upheaval. The face, seemingly stoic, becomes a symbol of resistance against erasure. The spiral and floral motifs act as indigenous counter-narratives, challenging colonial power structures and demanding visibility. How does it speak to you? Editor: That’s insightful. I hadn’t considered the resistance aspect so explicitly. Curator: Parker's work urges us to confront historical silences and amplify marginalized voices, especially regarding indigenous people's right to self-determination. Editor: I learned that art can be a form of resistance and resilience. Curator: Indeed. It's a testament to art's power in reclaiming identity and rewriting history.