Gardeners by Keith Arnatt

Gardeners 1978 - 1979

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Dimensions: support: 404 x 304 mm

Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have Keith Arnatt's photograph, "Gardeners." I’m struck by how ordinary yet poignant this portrait feels. What do you see in this piece? Curator: The photograph resonates with cultural memory. The gardener stands sentinel, almost a guardian of the home, the flowers mirroring her own life cycle. What echoes do you hear in its stillness? Editor: I suppose the flowers do represent her own aging process, but it feels quite bleak. Curator: Perhaps. But consider the endurance embedded in the image. The gardener, the garden, the house—all are symbols of continuity, defying the inevitable decay. Do you find a sense of quiet dignity there? Editor: I hadn't thought about it that way. It's about finding resilience in the mundane. Curator: Exactly. Arnatt reveals how even in simplicity, potent symbols reside.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/arnatt-gardeners-t13088

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tate 1 day ago

Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.