Garden (All May 66) 1966

Editor: Here we have Colin Self's "Garden (All May 66)," currently held at the Tate. I'm really struck by the almost oppressive feeling created by the dark, looming trees. What do you see in this piece? Curator: This work reflects the socio-political unease of the 1960s, especially the looming threat of nuclear war. Self often used garden imagery to explore themes of control and artificiality within seemingly natural spaces. Notice how the regimented garden layout contrasts with the wilder foliage beyond the wall. Does that tension resonate with you? Editor: It does, especially considering the era. It's like a beautiful facade hiding something unsettling. Thanks, that gives me a lot to consider! Curator: Indeed, and it demonstrates how artists use familiar imagery to comment on larger societal anxieties. A powerful piece.