Panthea Stabs Herself beside the Corpse of Abradatas 1738 - 1820

Benjamin West made this pen and ink drawing of "Panthea Stabs Herself beside the Corpse of Abradatas" sometime between 1790 and 1820. It depicts a scene from Xenophon's "Cyropaedia," a classical text that was enjoying renewed popularity at the time. West was known for his grand history paintings, often dealing with themes of heroism, sacrifice, and morality. This drawing reflects the Neoclassical interest in ancient history and virtue, but also hints at a fascination with intense emotion. Consider the composition: a balance between the dramatic gesture of Panthea and the still form of her husband. Made in either Britain or America, this work engages with the artistic conventions of its era while subtly questioning them. To fully understand West’s art, we can consult historical texts, biographies, and exhibition reviews from the period. This reveals the complex interplay between artistic creation, institutional support, and public reception. By studying these historical and institutional contexts, we can better grasp the meanings and significance of this piece.