Promotieprent met H. Franciscus met drie globes op de schouders, bovenste deel 1616 - 1657

Editor: We're looking at "Promotieprent met H. Franciscus met drie globes op de schouders, bovenste deel," a print made by Paulus Pontius sometime between 1616 and 1657. It's currently housed in the Rijksmuseum. It’s incredibly detailed, with so many figures crammed into the composition. What is the central theme from your point of view? Curator: Formally, the piece deploys contrasting diagonal movements to achieve a dynamic, albeit somewhat overwhelming, composition. Notice how the upper register, populated with celestial figures and ornate chariots, visually opposes the terrestrial realm below, featuring the stoic figures and struggling Saint Francis. The density of linework, particularly in the billowing clouds and drapery, creates a palpable sense of baroque dynamism. How might you interpret the symbolism inherent in the three globes borne by Saint Francis? Editor: Perhaps they represent worldly burdens or responsibilities that he carries for humanity? Curator: Indeed. Consider the globes' geometric forms and their relationship to the figure of Francis. They act as central spheres within spheres, creating a visual emphasis on the weight he bears. The interplay of light and shadow across the spheres further accentuates this burden, no? Are you seeing this contrast? Editor: Yes, and now the scale seems really important. Francis looks physically strained by this duty. And what is going on at the lower-right corner? A figure falling into the open mouth of what appears to be a giant sea creature. Curator: An intriguing counterpoint, wouldn’t you agree? Note how its gaping mouth mirrors the curved chariot pulled by winged creatures opposite to it. Editor: So you are proposing that formally we must analyse what opposes each other? That there must be symmetry in the formal opposition? I find the figure in the chariot less scary somehow. Curator: I suggest the engraving uses formal oppositions to guide one's focus. Note, though, the unity in line. The density of the linework holds together many oppositions. Editor: It’s interesting how much you can unpack just by observing the composition and the lines. It makes me look at it with fresh eyes. Curator: I trust a renewed appreciation of its visual and structural complexities is within your reach.