-The Daisy- still bank by Shimer Toy Company

c. 1900

-The Daisy- still bank

Listen to curator's interpretation

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Curatorial notes

Curator: Standing before us is “-The Daisy- still bank,” crafted around 1900 by the Shimer Toy Company. This intriguing object, now residing in the Minneapolis Institute of Art, blends elements of sculpture, found-object artistry, and decorative art using metal. Editor: Oh, it’s kind of adorable in a utilitarian, Victorian-goth way. The tiny trefoil cutouts are a little like viewing a garden through bars—hopeful but restricted. It makes me wonder, what secrets did this bank keep locked away? Curator: The visual rhetoric here speaks of security—consider the pronounced lettering, "The Daisy," underscored by what seems to be a stylized lock-symbol or heraldic shield, framing a keyhole. The daisy motif itself, typically associated with innocence and simplicity, is intentionally repeated in the four-leaf cuts on the sides and on the top to add visual texture. Editor: And there’s something endearingly contradictory about using a symbol of such delicacy, the daisy, to guard one’s treasure, no? Almost ironic. I find myself drawn to its tactile qualities too. You know, what it might feel like to hold and to shake this little cube. How cold that aged metal could be, pressing against your fingers. Curator: The materiality is vital. This piece presents as a formal exercise in geometrical rigidity; consider the parallelepiped form—offset against the delicate open work. The entire piece emphasizes a duality between fragility, or fleeting beauty, and permanence in industrial creation. Editor: Right, right—that interplay, I agree. I can almost see a child's chubby little fingers struggling to slip a penny into the slot, imagining what that first saved dollar would mean, what fantastical dream it could conjure. Curator: Indeed, we observe not just an object, but a portal into a very specific historical and socio-economic narrative. Editor: A child's vessel of dreams, now ours to study… Funny how simple forms can still resonate so powerfully. Curator: Precisely, leaving one with renewed thoughts regarding the beauty within simple structure.