Dimensions: support: 457 x 375 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: This is Richard Parkes Bonington’s “View of the Piazzetta near the Square of St Mark, Venice,” part of the Tate Collections. Bonington, who unfortunately died young, captures Venice with a unique light. Editor: It’s dreamlike, isn’t it? Almost like a memory fading at the edges. The colours are muted but intense, and the scale is so intimate—I feel like I’m peeking into a past world. Curator: Absolutely, and his rendering of Venice aligns with a period that saw the city as a nexus between East and West, a place of commerce and cultural exchange, as evidenced by the figures. Editor: There’s such a lovely stillness to it. Like the city is holding its breath. Curator: Yes, a carefully crafted image, reinforcing Venice's historical role, one brushstroke at a time. Editor: It's funny how a scene can feel so both serene and so busy. Curator: The painting underscores Venice's enduring allure. Editor: A tender glimpse.
http://www.tate.org.uk/art/artworks/bonington-view-of-the-piazzetta-near-the-square-of-st-mark-venice-n00374
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Bonington was born near Nottingham, though he trained at the atelier of Baron Antoine-Jean Gros in Paris. Later he travelled around Europe building up a reputation as a watercolourist. He painted this view on his only trip to Venice in 1826. It shows the column of St Mark in the centre, with the column of St Theodore to the right. In the distance are the domes of Santa Maria della Salute. The painting received mixed reviews when it was exhibited at the British Institution in 1828. One critic described it as ‘miserably cold and meagre’. Gallery label, September 2004