The Actor Nakamura Nakazo I as Dozaemon Denkichi in the Play Yaoya Oshichi, Performed at the Kiri Theater in the Fourth Month, 1785 by Katsukawa Shunkō

The Actor Nakamura Nakazo I as Dozaemon Denkichi in the Play Yaoya Oshichi, Performed at the Kiri Theater in the Fourth Month, 1785 c. 1785

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print, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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woodblock-print

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genre-painting

Dimensions: 32.7 × 14.7 cm (12 7/8 × 5 13/16 in.)

Copyright: Public Domain

Editor: This is Katsukawa Shunko's woodblock print, "The Actor Nakamura Nakazo I as Dozaemon Denkichi..." It’s from 1785. I'm struck by the figure's angry expression and the bold patterns. It makes me wonder, what are the layers of meaning hidden within this print? Curator: Well, this print is fascinating because it freezes a specific moment in time, a performance. The actor's exaggerated stance, his clenched fist, the intense grimace-- these are all calculated gestures, amplified to communicate a specific emotional state to the audience. What do you think his patterned clothing tells us? Editor: I see both diamonds and squares! That the design of his kimono feels very deliberate...maybe meant to convey his status or role? Curator: Exactly. Costumes are never accidental in theatre or in these *ukiyo-e* prints depicting actors. Notice how the patterns are bold and geometric. The visual language here uses readily understandable forms to impart ideas about character. It allows the audience, then and now, to connect to him and understand the dramatic narrative unfolding on stage. Beyond character, think also how pattern situates a figure culturally. Editor: That makes a lot of sense. So the imagery of the actor within the setting are intertwined culturally. I wonder, did this image reflect then-current cultural anxieties and assumptions about class or identity? Curator: Without question. Think about the reeds surrounding him, almost obscuring him. Those act as more than props and background detail -- they amplify the story and offer a window into that time. We might ponder the ways our own cultural narratives find representation through art and performance today. Editor: This has completely shifted how I look at this print; now I feel as though I'm examining a coded document that preserves not only a record of stagecraft but also echoes of larger society during 1785. Curator: Precisely! We see the performance and the symbolism and all the complexities interwoven in an art object.

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