Mary, Queen of Scots 1647 - 1699

Claude Vignon created this print of Mary, Queen of Scots, in France during the 17th century. The image encapsulates the complex politics of imagery in early modern Europe. Mary, Queen of Scots, was a controversial figure, seen by many Catholics as the rightful Queen of England. Vignon’s print portrays her as a martyr. In the background, we see the execution, while angels descend from heaven, anointing her with glory. In the foreground, Mary appears regal, yet pious, holding a crucifix. The architecture behind her evokes classical antiquity, suggesting the timeless nature of her sacrifice. Such imagery served a clear political purpose. It reinforced a particular narrative that challenged the legitimacy of the Protestant monarchy in England. Understanding this print requires us to delve into the religious and political conflicts of the time, using historical documents, letters, and other visual sources to understand the ways in which images were used to shape public opinion and challenge existing power structures.