Sculptuur van Adam in de Dom in Milaan c. 1860 - 1880

This albumen print, dating back to the late 19th century, was created by Giorgio Sommer and portrays a sculpture of Adam in the Milan Cathedral. Sommer, working in Italy, captured images that often reflected prevailing social and cultural norms. Here we see Adam, the supposed first man, rendered in stone, his nakedness partially obscured. Close to him, a small child sits at his feet, gazing upwards. The depiction raises questions about innocence, knowledge, and the legacy of humanity. The choice to photograph this statue at the Duomo di Milano, a site laden with religious significance, further complicates the narrative. The image thus speaks to the power of religious narratives in shaping gender roles and societal expectations. The photograph invites reflection on the historical constructs of masculinity, innocence, and the complex interplay between religious doctrine and individual identity. It serves as a mirror, reflecting societal values and the stories we tell ourselves about who we are, and where we come from.