Mensen aan de oever van een rivier in New Orleans by George François Mugnier

Mensen aan de oever van een rivier in New Orleans c. 1880 - 1888

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photography, gelatin-silver-print

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african-art

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16_19th-century

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pictorialism

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landscape

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photography

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gelatin-silver-print

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realism

Dimensions: height 188 mm, width 235 mm

Copyright: Rijks Museum: Open Domain

Editor: This photograph, “Mensen aan de oever van een rivier in New Orleans,” taken by George François Mugnier around 1880-1888, shows a group of people on a riverbank. It has a very muted, almost melancholic feel to it. What do you see in this piece? Curator: I see echoes of cultural memory etched into this seemingly simple landscape. Notice the horizon line – how it bisects the image, placing the figures below, almost grounded. These people on the banks become part of the landscape itself. What emotions does the river evoke for you? Editor: The river almost feels like a barrier, a divider. Maybe that contributes to the melancholy? Curator: Precisely! Water, as a symbol, has so many faces. Here, in this historical context, does it not perhaps represent journeys taken and those forbidden, possibilities and limitations all at once? The figures themselves are also carrying weight and cultural importance, particularly with how the artist chose to present their existence in an evolving nation. Editor: I hadn’t considered that the river might represent journeys and limitations together. The symbolism enriches my view of it. Curator: Indeed. Mugnier captured a moment pregnant with meaning, inviting us to contemplate the confluence of identity, place, and history, reflected in these symbols and captured within the single frame. I wonder, does photography even capture all of the stories? What ones are missed? Editor: So much to consider in one still frame. This was very insightful; thank you. Curator: It's a pleasure to consider visual meaning together! The image continues to speak to us.

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