Studio Conversation I by  John Wonnacott

Studio Conversation I 1993 - 1994

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Dimensions: support: 2441 x 1222 mm

Copyright: © John Wonnacott | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This painting, "Studio Conversation I" by John Wonnacott, feels incredibly raw, almost uncomfortably intimate. The figures seem caught in moments of private introspection. What do you see in this piece? Curator: I see a commentary on the male gaze and artistic labor. The artist positions himself centrally, almost confronting the viewer, while the other figures are caught in various states of activity. This raises questions about power dynamics within the studio space and the often-unacknowledged labor that supports the artistic process. Editor: That's fascinating. I hadn't considered the power dynamics at play. It really does feel like the artist is asserting his dominance. Curator: How does it make you feel, considering the gaze and the artist's role? Editor: A bit uneasy, but it definitely gives me a lot to think about regarding the representation of labor and artistic authority. Curator: Indeed, art challenges us to confront uncomfortable truths about ourselves and society.

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tate 6 days ago

http://www.tate.org.uk/art/artworks/wonnacott-studio-conversation-i-t07127

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tate's Profile Picture
tate 6 days ago

This is one of a series of self-portraits and studio interiors in which Wonnacott has used mirrors as a device for disrupting the viewer's sense of space. His obsessive pursuit of objectivity in depicting perspective and proportion, modelled on sixteenth- and seventeenth-century Italian art, can lead to strange, distorting effects. The figure in the mirror is the painter, while the two other men are his friends. His wife is also visible, reflected in the mirror through glazed doors leading to the room behind the painter and the viewer. Gallery label, August 2004