Conflicting Structures II [for Katja 24.XII.1987] 1962

Curator: Anneliese Hager's "Conflicting Structures II (for Katja 24.XII.1987)" presents an intricate play of light and shadow in a monochromatic palette. Editor: My first impression is one of veiled mystery. The composition feels like looking through a rain-streaked window, distorting what lies behind. Curator: Hager, known for her experimental photography, often explored abstraction. This work, undated, likely uses unconventional techniques to manipulate the photographic image. The title references a specific date, perhaps hinting at a personal or historical context? Editor: The vertical lines create a strong sense of depth, almost like a curtain. The high contrast emphasizes the textural quality, making me think about the materiality of the photograph itself, not just the image it portrays. Curator: Indeed, Hager's focus on materiality aligns with post-war German photography's interest in challenging traditional representation. These experimental approaches were often a reaction to the socio-political landscape. Editor: Ultimately, the abstract forms encourage individual interpretation, transforming the image into a deeply personal experience. Curator: A fitting tribute to Hager's exploration of personal narratives within broader historical contexts.